Robert Andriulli

Susquehanna Maple Grove, 2009
Oil on canvas, 30 x 30”,
Private Collection

Adirondack among the Birches, 2005
Oil on paper, 12.5 x 18.25”,
$800 + $200 for frame

Blue Inlet, 2009
Oil on paper, 17 x 17”,
$850 + $250 for frame

Blue Cabin and Birches, 2005
Oil on paper, 16.5 x 16.5”,
Private Collection

Shell Beach, Clearing Sky, 2009
Oil on paper, 18 x 18”,
Private Collection

Pine Grove and River Valley, 2009
Oil on paper, 17 x 16.5”,
$850 + $250 for frame

Estuary Point, 2010
Oil on Canvas, 42 x 40”,
Private Collection

Late Spring along the Susquehanna, 2009
Oil on Canvas, 30 x 36”,
Private Collection

Sanibel Beach, Midday Clouds, 2009
Oil on Canvas, 30 x 36”,
Private Collection

Swirling Clouds over Sedona, 2008
Oil on Paper, 17 x 16”,
$850 + $250 for frame

Clouded Field and Grove, 2009
Oil on Canvas, 30 x 30”,
Private Collection

Susquehanna Valley, Sudden Storm, 2009
Oil on Canvas, 48 x 48”,

Rangeley Lakeside, 2008-09
Oil on Canvas, 40 x 40",
Private Collection

Set 1 Set 2 Set 3 Set 4 Set 5 Set 6 Set 7 Set 8 Set 9 Set 10 Set 11 Set 12 Set 13 Set 14


Regarding the artist’s first solo show at Steven Scott Gallery, Baltimore Alternative editor and critic Rawley Grau writes in June 1994:

“Robert Andriulli’s landscapes betray a vision of mysterious, fateful forces that seem informed more by dream than by the light of day. This is most clearly evident in a series...that feature enormous, impossible cloud formations. In Autumnal (1992), a huge cloud-ball fills the center of the canvas, catching the pink light of morning as it floats over the peaceful farmland of a Western Pennsylvania mountainside....Majestic and indifferent, it could be an image of divinity or doom....The meteorological battle between light and darkness, energy and matter, space and weight unfolds before us like the conversation of the Olympians.”

“Andriulli’s fine skill in rendering the quality of light is used to interesting a series featuring boulders on the coast of Maine where the morning light makes the rocks look almost bloody, and in Suburb, the most visually complex work in the show. Here houses with neat lawns nestle in the shadow of a mountain, the congested industrial city visible in the distance across a river. The suburb seems at once protected and exposed.”